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<channel>
	<title>samuelgeorgy</title>
	<link>https://samuelgeorgy.cv</link>
	<description>samuelgeorgy</description>
	<pubDate>Sun, 18 Feb 2024 15:44:57 +0000</pubDate>
	<generator>https://samuelgeorgy.cv</generator>
	<language>en</language>
	
		
	<item>
		<title>how to use</title>
				
		<link>https://samuelgeorgy.cv/how-to-use</link>

		<pubDate>Thu, 24 Nov 2022 14:18:47 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/how-to-use</guid>

		<description>


	HOW TO USE &#38;nbsp;
	︎



	TEXT/2020
    

    
 
	

&#60;img width="1748" height="2480" width_o="1748" height_o="2480" data-src="https://freight.cargo.site/t/original/i/cdc73f30db775293e481d538f53cffbc5fa75a27b1bce677c39e908902afb84b/nbn.jpg" data-mid="160060212" border="0"  src="https://freight.cargo.site/w/1000/i/cdc73f30db775293e481d538f53cffbc5fa75a27b1bce677c39e908902afb84b/nbn.jpg" /&#62;

	
	DOWNLOAD︎








 </description>
		
	</item>
		
		
	<item>
		<title>Lazarus</title>
				
		<link>https://samuelgeorgy.cv/Lazarus</link>

		<pubDate>Thu, 24 Nov 2022 13:48:00 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Lazarus</guid>

		<description>


	LAZARUS ELNADY&#38;nbsp;
	︎

	EXHIBITION/2022
    

    
 
	



	

	
		
		
	
	
		
			
				
					
An exhibition was made in collaboration with C.C. (Commons
Cafe, formerly Culture Cafe) to invoke the memory of Lazarus
Elnady, a con artist who roamed around Europe on his motorbike
until he stopped by a public restroom in Freiburg im Breisgau
and disappeared. C.C. is a subculture venue where attendees
must never reveal their real identities but must create entirely
fictitious ones. Therefore, creating an exhibition about a person
who disappeared and whose identity is unknown became an
opportunity for speculation and fabulation. By deciding to turn
the public restroom into an exhibition space, smell became one of
the main elements of the exhibition. Soap was made of oud, nard,
and myrrh—incenses that were brought to the tomb of Jesus by
his apostles when they discovered he was not there. Additionally,
wooden tubes of relics, but solid, were displayed. The exhibition
included a picture of a dragon taken from a painting of Saint
George used as well as a tattoo of lazarus, a helmet serving as a box of relics, silver like
the moon, and a spinning top as an animal, a handmade motorcycle seat, Paintings by the members of c.c.
	
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

	

&#60;img width="1280" height="1919" width_o="1280" height_o="1919" data-src="https://freight.cargo.site/t/original/i/30a38044eb958fa6ed609cff4e66cefb9686ca4b7486ed4f5870a4a2add3345d/Image-Processing-July-30-2025.jpg" data-mid="240070382" border="0"  src="https://freight.cargo.site/w/1000/i/30a38044eb958fa6ed609cff4e66cefb9686ca4b7486ed4f5870a4a2add3345d/Image-Processing-July-30-2025.jpg" /&#62;
&#60;img width="3543" height="5314" width_o="3543" height_o="5314" data-src="https://freight.cargo.site/t/original/i/caa62e822294bcf6e6d1a7737bdae3a96e5aa2bb79e46238e3e1b2b841ce6fb9/_MG_0250va.jpg" data-mid="160059722" border="0"  src="https://freight.cargo.site/w/1000/i/caa62e822294bcf6e6d1a7737bdae3a96e5aa2bb79e46238e3e1b2b841ce6fb9/_MG_0250va.jpg" /&#62;
&#60;img width="3543" height="5316" width_o="3543" height_o="5316" data-src="https://freight.cargo.site/t/original/i/a07b65d4b26abdb81402e8c11a63747c215021f5d58d6a6621e58b0c88d9db51/_MG_0236vb.jpg" data-mid="160059721" border="0"  src="https://freight.cargo.site/w/1000/i/a07b65d4b26abdb81402e8c11a63747c215021f5d58d6a6621e58b0c88d9db51/_MG_0236vb.jpg" /&#62;
&#60;img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/b88a959e5454227ebe1c63b2edf09e703e4c3e5876a3296eab99c336584cbf83/_MG_0231va.jpg" data-mid="160059719" border="0"  src="https://freight.cargo.site/w/1000/i/b88a959e5454227ebe1c63b2edf09e703e4c3e5876a3296eab99c336584cbf83/_MG_0231va.jpg" /&#62;
&#60;img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/519f5f5f333a31d9fde41612b35532f7874b25deab86c635403c76f6d3e3dfaf/_MG_0167va.jpg" data-mid="160059718" border="0"  src="https://freight.cargo.site/w/1000/i/519f5f5f333a31d9fde41612b35532f7874b25deab86c635403c76f6d3e3dfaf/_MG_0167va.jpg" /&#62;
&#60;img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/a04dd8e7d7566e6b378c18cabaa6151b7ec3b8fcc5a31902cfcb7d0b7c5ae478/_MG_0040vb.jpg" data-mid="160059716" border="0"  src="https://freight.cargo.site/w/1000/i/a04dd8e7d7566e6b378c18cabaa6151b7ec3b8fcc5a31902cfcb7d0b7c5ae478/_MG_0040vb.jpg" /&#62;
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&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/4ff02939c84a9e0e5f3c955f399878fc51b6a2c79f87eb1f328e90190e103ec7/_MG_0113va.jpg" data-mid="160059952" border="0"  src="https://freight.cargo.site/w/1000/i/4ff02939c84a9e0e5f3c955f399878fc51b6a2c79f87eb1f328e90190e103ec7/_MG_0113va.jpg" /&#62;
&#60;img width="3491" height="5236" width_o="3491" height_o="5236" data-src="https://freight.cargo.site/t/original/i/4ef0db46d60be20fd6a83d28fe38845990675a9fefd47fd8155933311de4fda8/_MG_0173va.jpg" data-mid="160059953" border="0"  src="https://freight.cargo.site/w/1000/i/4ef0db46d60be20fd6a83d28fe38845990675a9fefd47fd8155933311de4fda8/_MG_0173va.jpg" /&#62;




 </description>
		
	</item>
		
		
	<item>
		<title>SYNTHETIC GUILT</title>
				
		<link>https://samuelgeorgy.cv/SYNTHETIC-GUILT</link>

		<pubDate>Tue, 15 Nov 2022 12:31:14 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/SYNTHETIC-GUILT</guid>

		<description>


	SYNTHETIC GUILT
	︎



	EXHIBITION/2021
    

    
&#38;nbsp;
	




	
		
		
	
	
		
			
				
					
A sculpture is hung from the ceiling with two different
kinds of fishing nets. One net holds a CRT TV, and
the other contains buoyant foam surrounded by a
life jacket. The sculpture relies on the tension that is
felt but controlled, with two different types of foam
forced together despite their opposing tendencies—
one would float, and the other would not. Additionally,
the image of water falling inside the TV suggests its
descent as a weighted object, yet everything is kept in
a perpetual state of balanced tension.

				
			










	BAD BUOY
	︎





SCULPTURE/2021
&#60;img width="6960" height="4640" width_o="6960" height_o="4640" data-src="https://freight.cargo.site/t/original/i/5a4475a74c908eb7cdb79d50501098bf3a185e19d7d0b6fb5b52ff97b96aaf55/IMG_0497.jpg" data-mid="224700852" border="0"  src="https://freight.cargo.site/w/1000/i/5a4475a74c908eb7cdb79d50501098bf3a185e19d7d0b6fb5b52ff97b96aaf55/IMG_0497.jpg" /&#62;

	
		
		
	
	
		
			
				
					&#60;img width="6960" height="4640" width_o="6960" height_o="4640" data-src="https://freight.cargo.site/t/original/i/5bd05b0d34c2fcda1d3cf0153d972cf3c21b8fac7aeb9e55a9d21c900f081d64/IMG_0481.jpg" data-mid="224700851" border="0"  src="https://freight.cargo.site/w/1000/i/5bd05b0d34c2fcda1d3cf0153d972cf3c21b8fac7aeb9e55a9d21c900f081d64/IMG_0481.jpg" /&#62;

Foam is a material that is poorly buoyant but absorbs
water, minor shocks (movements), and sounds. It is cut to
the size of a bed, with an Arduino machine programmed to
imitate breathing. By using this industrial material without
modification, there is an attempt to highlight its functional
abilities and disabilities. A helmet, which is a box, carries
a sound taken from Björk’s song “It’s Oh So Quiet” and a
paper with a quote from Kafka’s short story “The Knock
at the Manor Gate.” The song has been edited to only
produce the imperative «hush,» a sound that is mixed
with the sound of the Arduino machine. The helmet also
invokes a presence and an absence.

				
			
		
	








&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/7d824899d5f5691a997b2581c3fbc637a652c50358b611716f551c6dd72a8148/IMG_0799.JPG" data-mid="159093883" border="0"  src="https://freight.cargo.site/w/1000/i/7d824899d5f5691a997b2581c3fbc637a652c50358b611716f551c6dd72a8148/IMG_0799.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/86b3cb42da59a5290e6229ab7751915bae3f52875ba9f8c6c4af715710bc42cb/IMG_0824.JPG" data-mid="159093896" border="0"  src="https://freight.cargo.site/w/1000/i/86b3cb42da59a5290e6229ab7751915bae3f52875ba9f8c6c4af715710bc42cb/IMG_0824.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0f275821630addc0ff42555277626c5de3b6edab23d633d405bb5454e7cbe4fe/IMG_0822.JPG" data-mid="159093895" border="0"  src="https://freight.cargo.site/w/1000/i/0f275821630addc0ff42555277626c5de3b6edab23d633d405bb5454e7cbe4fe/IMG_0822.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7609102b624c5de89af1f599a7d8783b1098775159f5daafc65fe771ae49a416/IMG_0804.JPG" data-mid="159093887" border="0"  src="https://freight.cargo.site/w/1000/i/7609102b624c5de89af1f599a7d8783b1098775159f5daafc65fe771ae49a416/IMG_0804.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9a69678c9e51744ac9b5858d70e7c5b5f720dddb0c4ba5ca2eaa3887dd957160/IMG_0798.JPG" data-mid="159093881" border="0"  src="https://freight.cargo.site/w/1000/i/9a69678c9e51744ac9b5858d70e7c5b5f720dddb0c4ba5ca2eaa3887dd957160/IMG_0798.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2f893a7ff2724c25f857d6c9aa6bb2cc0002e686aedcdee6011ea1e22a8863a7/IMG_0815.JPG" data-mid="159093897" border="0"  src="https://freight.cargo.site/w/1000/i/2f893a7ff2724c25f857d6c9aa6bb2cc0002e686aedcdee6011ea1e22a8863a7/IMG_0815.JPG" /&#62;
Ⓒsimon&#38;nbsp;









	
	
 &#38;nbsp; </description>
		
	</item>
		
		
	<item>
		<title>Tyred</title>
				
		<link>https://samuelgeorgy.cv/Tyred</link>

		<pubDate>Tue, 15 Nov 2022 09:57:33 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Tyred</guid>

		<description>


	TYRED
	︎



	Photographs/20202 inkjet prints of 120 mm colored film, biscuit colored Passpartout and wooden black frame13×18 cm
As a part of a site specific group project in an urban garden in Rodelheim, Frankfurt. Later the project was exhibited in the same location under the name “Autonatura”. 
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/97713628c25ff927e4b2b2c615291410ae57e1695bc89cbb771ae3dfedbd309e/tyty.jpeg" data-mid="160062241" border="0"  src="https://freight.cargo.site/w/1000/i/97713628c25ff927e4b2b2c615291410ae57e1695bc89cbb771ae3dfedbd309e/tyty.jpeg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/a798ede011e0a26a3d7db3d5acce7ab3a27d12f6bd608bd5bd2cab2602af2fbd/tyyy.jpeg" data-mid="160062242" border="0"  src="https://freight.cargo.site/w/1000/i/a798ede011e0a26a3d7db3d5acce7ab3a27d12f6bd608bd5bd2cab2602af2fbd/tyyy.jpeg" /&#62;
    
    
    
   



	OTHER STORIES
	︎




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	</item>
		
		
	<item>
		<title>Security Street</title>
				
		<link>https://samuelgeorgy.cv/Security-Street</link>

		<pubDate>Sun, 18 Feb 2024 15:44:57 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Security-Street</guid>

		<description>


	SECURITY STREET
	︎



	EXHIBITION/2023
In collaboration with Nelli Lorenson and Mara Aiko





“Security Street” is an exhibition consisting of street signs, a board
game, advertising, and a reading corner. It is dominated by the
Burrow Insurance Company, a company that materializes security
and promotes its product in the form of a board game, exploiting all
other addresses on the same street, which are:

					
C.C. is a café where people go wearing different identities, inventing
histories and experiences, and participating in collective actions
of repairing objects, conceptions, and stories without claiming
ownership or situating themselves within a power hierarchy.

					
I.C.O. is an institution that offers a summer school consisting of
three workshops. The institution intends for its summer school
participants to develop, repair, and challenge their relationship
between the body and whatever falls into our visual perception—
the image. The first workshop deals with the body in the making of
the image; the second workshop focuses on the body within the
image; the third workshop handles the body in the reception of the
image. We are interested in image gleaners and foragers, not image
hunters or ethnographers.

					
S.A.C.S. is the NGO that exists within the writings of the anonymous
anarchist group TIQQUN. A study group has been created there
to investigate violences in banal situations, comparing, classifying,
and observing the already taken-for-granted apparatuses. The
violences we examine surround us in dating apps and supermarkets,
academia and scholarships, language and media—we compare
them and untie the complex threads that hold them together.

					
H.A. branches out from Avery Gordon’s Hawthorne Archive. With
Gordon’s cooperation, Hydra Archive is the depot of attempts
from the margins of society to pulverize the status quo into the
raw material of utopia(s). It is the ongoing collection of stories and
documents that have intentionally been poorly recorded and written
out of the white man’s project of history.

				
			
		
	


	

	
		
		
	
	
		
			
				
					


				
			
		
	

	
	
	
	

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&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/0a142f3f7812e57af83eb696b2cd49e82fcf03ce24209f1a77d36701b245c2cc/web_2J6A1649.jpg" data-mid="204902364" border="0"  src="https://freight.cargo.site/w/1000/i/0a142f3f7812e57af83eb696b2cd49e82fcf03ce24209f1a77d36701b245c2cc/web_2J6A1649.jpg" /&#62;
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/626f7599af41fe3c9ccfc8a89b8f6628e93b44ad0f73ef9a54bde97aa9ce9460/web_2J6A1644.jpg" data-mid="204902367" border="0"  src="https://freight.cargo.site/w/1000/i/626f7599af41fe3c9ccfc8a89b8f6628e93b44ad0f73ef9a54bde97aa9ce9460/web_2J6A1644.jpg" /&#62;
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/d91b59d2b751143c88e1781bd7275b2cecab87af6f26ebb654a38e0666c6180d/web_2J6A1595.jpg" data-mid="204902378" border="0"  src="https://freight.cargo.site/w/1000/i/d91b59d2b751143c88e1781bd7275b2cecab87af6f26ebb654a38e0666c6180d/web_2J6A1595.jpg" /&#62;

	
	
	
	
	
	














I.C.O. 2023
Technique (Metal, inkjet, woodcut print, LED strip, Magnet)
Dimensions (60 x 30 x 20 cm)



S.A.C.S. 2023
Technique (Metal, inkjet on backlit paper, woodcut print, LED strip, Magnet, wood)
Dimensions (29 x 52 x 30 cm)


H.A. 2023
Technique (Metal, inkjet on backlit paper, LED strip, Magnet, rubber, wood)
Dimensions (51 x 70 x 23 cm)


B.I.C. 2023
Technique (Metal, inkjet on backlit paper, LED strip, Wood, Magnet)
Dimensions (70 x 70 x 30 cm)



C.C. 2023
Technique (Metal, inkjet on backlit paper, woodcut print, LED strip)
Dimensions (23 x 40 x 10 cm)

Dimensions (40 x 48 x 40 cm)








 &#60;img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/bab2043ad2dc69d34db02f266603560c41482d440957e5678714aab6f088750e/_F3A9980.JPG" data-mid="228427780" border="0"  src="https://freight.cargo.site/w/1000/i/bab2043ad2dc69d34db02f266603560c41482d440957e5678714aab6f088750e/_F3A9980.JPG" /&#62;&#60;img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/052ed175fbcdc0b40c75afffe54e887276559a80dd216e6c35ca727120413255/_F3A9986.JPG" data-mid="228427787" border="0"  src="https://freight.cargo.site/w/1000/i/052ed175fbcdc0b40c75afffe54e887276559a80dd216e6c35ca727120413255/_F3A9986.JPG" /&#62;&#60;img width="5120" height="3840" width_o="5120" height_o="3840" data-src="https://freight.cargo.site/t/original/i/f31191cc78bf5ef6495fde5c22e00b6227478e1aa04e313df28d2d32d6569a45/_F3A9990.JPG" data-mid="228427790" border="0"  src="https://freight.cargo.site/w/1000/i/f31191cc78bf5ef6495fde5c22e00b6227478e1aa04e313df28d2d32d6569a45/_F3A9990.JPG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>sonic emergency</title>
				
		<link>https://samuelgeorgy.cv/sonic-emergency</link>

		<pubDate>Mon, 10 Jan 2022 22:08:19 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/sonic-emergency</guid>

		<description>


	SONIC EMERGENCY
	︎



	SOUND INSTALLATION/2022
    
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
    
 
	
A work activated exclusively by smoking features an object mounted at head level on a wall, equipped with a smoke detector. When the audience smokes, the system within the space is triggered, initiating a playful sequence of signals, fire alarms, sounds, and lights. These elements create a chaotic, clumsy warning of danger, with variations in alarming sounds, high-pitched sirens, and randomized shifts in volume, tone, and rhythm. The result is a "festival of security." The concept reflects a constant state of fight-or-flight—a heightened responsiveness and sensitivity to living on the edge—simultaneously urgent, extreme, and paradoxically stimulating.
Made with Barnabas Vollmar




 







Photos©Lotte&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3f59ff3ffea17a47fc01fe58283c991ec966d30d9a781cd233100b0e2ff19738/_DSC0629.JPG" data-mid="159080547" border="0"  src="https://freight.cargo.site/w/1000/i/3f59ff3ffea17a47fc01fe58283c991ec966d30d9a781cd233100b0e2ff19738/_DSC0629.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/73c4848208c74a6c308c311e32ca03fbadc050bd7c278a453b0b356d8d6d5303/_DSC0670.JPG" data-mid="159080585" border="0"  src="https://freight.cargo.site/w/1000/i/73c4848208c74a6c308c311e32ca03fbadc050bd7c278a453b0b356d8d6d5303/_DSC0670.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/dc784b37d597a75e08963d7492ac41b5f42c6086cdb23e5055f11e4158b5c7f8/_DSC0712.JPG" data-mid="159080578" border="0"  src="https://freight.cargo.site/w/1000/i/dc784b37d597a75e08963d7492ac41b5f42c6086cdb23e5055f11e4158b5c7f8/_DSC0712.JPG" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/376e15eec16a60c184a95f79f15724c132162bd434ad9479e0afaaf43a4f04c3/_DSC0661.JPG" data-mid="159080591" border="0"  src="https://freight.cargo.site/w/1000/i/376e15eec16a60c184a95f79f15724c132162bd434ad9479e0afaaf43a4f04c3/_DSC0661.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/01d90b04f9cea4fcc6fd7198a2e09d7d24dd933dcfd0a41cf7346bdd1fcfe9cd/_DSC0648.JPG" data-mid="159080594" border="0"  src="https://freight.cargo.site/w/1000/i/01d90b04f9cea4fcc6fd7198a2e09d7d24dd933dcfd0a41cf7346bdd1fcfe9cd/_DSC0648.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8255505dbd86f559e531edc6f53ec0f3967904147cba595ab2f4628c2a29956a/_DSC0690.JPG" data-mid="159080573" border="0"  src="https://freight.cargo.site/w/1000/i/8255505dbd86f559e531edc6f53ec0f3967904147cba595ab2f4628c2a29956a/_DSC0690.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>An angle </title>
				
		<link>https://samuelgeorgy.cv/An-angle</link>

		<pubDate>Thu, 13 Jan 2022 17:57:22 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/An-angle</guid>

		<description>


	AN ANGEL
	︎



	INSTALLATION/2020
    
    &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
    
 
	A machine pushes the air like a storm, as if we were inside the inflatable object itself, repressed. It resonates with Walter Benjamin's story of the "Angel of History." The angel longs to react, to do something about the pile of debris before him, but he cannot spread his wings because a storm is blowing from the paradise called progress. This echoes a real event, captured on a witness's cell phone from a balcony on El Qasr Elainy Street on January 28, 2011. Below, masses of protesters are trying to make their way through the street toward Tahrir Square, the central gathering place for the destruction of the existing regime. A machine designed to disperse the protest operates normally, trying to restore order. But suddenly, out of nowhere, we see an obstacle in flesh—a body that refuses to let the machine pass.&#38;nbsp; 


2 motors, metal, wood, leather, fabric, TV, Bricks
230,5 x 58 x 115






&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/26348a3118d9d585198990aad8deece48ec04a35c7d2993499fd1786bd8dfe6d/_MG_7571.jpg" data-mid="130061497" border="0"  src="https://freight.cargo.site/w/1000/i/26348a3118d9d585198990aad8deece48ec04a35c7d2993499fd1786bd8dfe6d/_MG_7571.jpg" /&#62;
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/24fb236d9bb833aba174d48ab74e31396b99cb586003ce041894f3acd35b1212/_MG_7574.jpg" data-mid="130061499" border="0"  src="https://freight.cargo.site/w/1000/i/24fb236d9bb833aba174d48ab74e31396b99cb586003ce041894f3acd35b1212/_MG_7574.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/1f24eea2e644f92da39fdf81b5f5a7cfb53102de27cb4cceb770a25b1fb8558e/_MG_7592.jpg" data-mid="130061509" border="0"  src="https://freight.cargo.site/w/1000/i/1f24eea2e644f92da39fdf81b5f5a7cfb53102de27cb4cceb770a25b1fb8558e/_MG_7592.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a4b0c32399f0ad8a48f833c7b85d1a190fe6dfafa07b57a5184ee213cee15bf3/_MG_7588.jpg" data-mid="130061505" border="0"  src="https://freight.cargo.site/w/1000/i/a4b0c32399f0ad8a48f833c7b85d1a190fe6dfafa07b57a5184ee213cee15bf3/_MG_7588.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/59b2f94d75a00a995c06955e831173b6263ca3ac1191fc6f1ed6eef76d154040/_MG_7576.jpg" data-mid="130061501" border="0"  src="https://freight.cargo.site/w/1000/i/59b2f94d75a00a995c06955e831173b6263ca3ac1191fc6f1ed6eef76d154040/_MG_7576.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/ad4758e3db6d4e7f80c9f6c391dc450f4907f1dd827ef15adf8087ff24823ac2/_MG_7565.jpg" data-mid="130061496" border="0"  src="https://freight.cargo.site/w/1000/i/ad4758e3db6d4e7f80c9f6c391dc450f4907f1dd827ef15adf8087ff24823ac2/_MG_7565.jpg" /&#62;
Photos ©Andrea Herrera Poblete

</description>
		
	</item>
		
		
	<item>
		<title>Home </title>
				
		<link>https://samuelgeorgy.cv/Home</link>

		<pubDate>Thu, 13 Jan 2022 12:15:32 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Home</guid>

		<description>


	HOME
	︎



	INSTALLATION/2018
    
    
    
 
	An Installation made up of different fragments based on different narratives which are all made throughout my first year living away from home. In those fragments I am questioning the idea of home on a political and personal level inspired by a poem of Wadih Sa›adeh “How the swimmer will reach while the sea is drowning”. A room made out of paper with a curtain painted on it from the outside in black a slogan in Arabic from the protests during the revolution while the slogan is incomprehensible for the people inhabiting the place where I have installed the room it is still written on the paper walls from inside the room some hints about what it is. The hints are a word play with the synonyms of the word home in French as for example (Foyer/Noyer) (Maison/mais) (logis/lois/loi) (Pavillon/bâillon) sketched in colorful pencils Also, beside the door curtain we can find a Pendulous flag made of collage of different visual symbols of strength and excellency as it is used in different national flags as the sword, wild animals and stars. While inside the room we can find on the corner some pillows made out of cement and on the other corner four rocks written on them in Latin the word “Esse est percipi” which means “to be is to be perceived” and those rocks are collected from four different cities where I have done a performance writing on the rocks and hanging it from my neck and standing between the audience the rest of the time, beside the rocks there is the necklace I used and drawing on the wall like a manual. And a striped ceiling to let in the light.


Paper,Metal,Cement,Thermoplastic,PlasticSilkscreen fabric and Fabric.250 × 100 × 200






&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/92bc95791965eb7539676468cfc39ff0313a46212650ae390938f2ce7c38ac98/IMG_5371.JPG" data-mid="130059660" border="0"  src="https://freight.cargo.site/w/1000/i/92bc95791965eb7539676468cfc39ff0313a46212650ae390938f2ce7c38ac98/IMG_5371.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0d5dda46477b235516a45bcab997f875ae46c5fea487dfec38599e6caa4120bc/IMG_5369.JPG" data-mid="130059671" border="0"  src="https://freight.cargo.site/w/1000/i/0d5dda46477b235516a45bcab997f875ae46c5fea487dfec38599e6caa4120bc/IMG_5369.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c922e06d9c2b24c51eb29aa10cf7428004942a4878ac5a6d9e0423c3967e3e9f/IMG_5367.JPG" data-mid="130059689" border="0"  src="https://freight.cargo.site/w/1000/i/c922e06d9c2b24c51eb29aa10cf7428004942a4878ac5a6d9e0423c3967e3e9f/IMG_5367.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/31e9bbc59f8c599896c78bdc3a47dc748d76b8e81d16af4f68366426cea3ccbb/20180127_131542.jpg" data-mid="130059697" border="0"  src="https://freight.cargo.site/w/1000/i/31e9bbc59f8c599896c78bdc3a47dc748d76b8e81d16af4f68366426cea3ccbb/20180127_131542.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ba6abcf35a8e8311d3feca4e2b2c620e5bf270be72a0a37102680a3fbbd59aaa/IMG_8612.jpg" data-mid="130027082" border="0"  src="https://freight.cargo.site/w/1000/i/ba6abcf35a8e8311d3feca4e2b2c620e5bf270be72a0a37102680a3fbbd59aaa/IMG_8612.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/35461c9a4b2c3a0b0ea4a05f1b3afec59c36fd7243d7b0fd682e5a10cfad360e/IMG_5368.JPG" data-mid="130059679" border="0"  src="https://freight.cargo.site/w/1000/i/35461c9a4b2c3a0b0ea4a05f1b3afec59c36fd7243d7b0fd682e5a10cfad360e/IMG_5368.JPG" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/54b497d13dcccc55fe46f3125c8105d6578e0ba0bdafc02809b1f936b27c86fa/IMG_5372-1.JPG" data-mid="130059652" border="0"  src="https://freight.cargo.site/w/1000/i/54b497d13dcccc55fe46f3125c8105d6578e0ba0bdafc02809b1f936b27c86fa/IMG_5372-1.JPG" /&#62;



	ESSE EST PERCIPI
	︎



	PERFORMANCE/2018Collecting rocks from different cities and writing on it in Latin “Esse est percipi”
which it means “To be is to be perceived” hanging it over my neck.

					Performance and its traces take a part of an another installation called “Home” as it is a
sequance of a narrative of one’s own intimate space inside of a political
struggle.&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/37d12f272ac0a5de6f5d1af9a606c9eed87121157fe0556636767558e6465bd6/esse.png" data-mid="130061369" border="0"  src="https://freight.cargo.site/w/768/i/37d12f272ac0a5de6f5d1af9a606c9eed87121157fe0556636767558e6465bd6/esse.png" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>Lit it be </title>
				
		<link>https://samuelgeorgy.cv/Lit-it-be</link>

		<pubDate>Thu, 13 Jan 2022 11:58:12 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Lit-it-be</guid>

		<description>


	Lit it be&#38;nbsp;
	︎



	SCULPTURE/2020
    
   
    
 
	An oven made to fill in form some sort of balloon with the hot air produced out of the burning wood inside. The moment of transformation of the energy from being an entity to the unseen lighter air giving a form that resist the gravity while being captured. A monument of a struggle and resistance.  


sand, soil, bricks, aluminium paper, plastic sheets
300 × 120 × 80






&#60;img width="3712" height="5568" width_o="3712" height_o="5568" data-src="https://freight.cargo.site/t/original/i/b244a15c29357ab85c36d0d8b1741ab942d020b5a86d0804090f53a011d56cfb/DSC_1282.jpg" data-mid="130025886" border="0"  src="https://freight.cargo.site/w/1000/i/b244a15c29357ab85c36d0d8b1741ab942d020b5a86d0804090f53a011d56cfb/DSC_1282.jpg" /&#62;
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/a775781cddf095179f06dc838c90703befe2338062acacc684d6b2236f20830e/DSC_1283.JPG" data-mid="130025907" border="0"  src="https://freight.cargo.site/w/1000/i/a775781cddf095179f06dc838c90703befe2338062acacc684d6b2236f20830e/DSC_1283.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/13ea8c7e143909794a2bd7aa73136bfbcfc54a15c9da7ed983e796670bb1ff28/IMG_9717.jpeg" data-mid="130026457" border="0"  src="https://freight.cargo.site/w/1000/i/13ea8c7e143909794a2bd7aa73136bfbcfc54a15c9da7ed983e796670bb1ff28/IMG_9717.jpeg" /&#62;
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/21c87a8ddaf6cf442d05a6e00e7e348e94fcd27f610ff92195be83ed4bf716cd/DSC_1288.JPG" data-mid="130025888" border="0"  src="https://freight.cargo.site/w/1000/i/21c87a8ddaf6cf442d05a6e00e7e348e94fcd27f610ff92195be83ed4bf716cd/DSC_1288.JPG" /&#62;
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/004ff4c8cc416861021e7c883a57fae0eb6ab305a1fede7c746d78c664270ab7/DSC_1292.JPG" data-mid="130025898" border="0"  src="https://freight.cargo.site/w/1000/i/004ff4c8cc416861021e7c883a57fae0eb6ab305a1fede7c746d78c664270ab7/DSC_1292.JPG" /&#62;
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/20f3070e15c208f4921b75f9deafed7d525c2bbad5f2981ebc660ff060c29d20/DSC_1290.JPG" data-mid="130025887" border="0"  src="https://freight.cargo.site/w/1000/i/20f3070e15c208f4921b75f9deafed7d525c2bbad5f2981ebc660ff060c29d20/DSC_1290.JPG" /&#62;
Photos©Andrea Herrera Poblete

</description>
		
	</item>
		
		
	<item>
		<title>Project for nothing</title>
				
		<link>https://samuelgeorgy.cv/Project-for-nothing</link>

		<pubDate>Thu, 13 Jan 2022 11:27:48 +0000</pubDate>

		<dc:creator>samuelgeorgy</dc:creator>

		<guid isPermaLink="true">https://samuelgeorgy.cv/Project-for-nothing</guid>

		<description>


	PROJECT FOR NOTHING&#38;nbsp;
	︎



	PERFORMANCE/2019
&#38;nbsp;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
    
    
 Event TextIt began as a call for collaboration. Two other artists joined the project, agreeing to work together for nothing.

The three of us talked for three days about our obsessions, intentions, and current projects. We questioned whether we should try to find a point where our projects could converge or simply exist together. In the end, we decided that each of us would continue working on our individual obsessions, but that we would occupy this limited space together.

Maybe it’s a performance. Maybe it’s just 30 minutes of our lives—and yours—live. You are invited to pass through with minimal preparation and maximum awareness of the present moment: an ongoing dialogue that starts nowhere and ends nowhere.

We would like to share this experience as it is, as literally as possible. An open body, an ongoing process heading toward something still ambiguous and obscure. An unfinished project aiming for nothing. The invisible elements between us—the space, the heat, the air, the gravity—and, most importantly, what’s inside our minds, behind our presence. Through each of our obsessions and questions, we engage in an act of dialogue or reaction, breaking distances for a moment. When coincidence brings us together to share our thoughts, to find a form, to do something independently, transgressively, spontaneously, and abruptly.GesturesIn the course of our dialogue, Samuel Nashaat became absorbed in making a kite. After completing it, he attempted to make it fly, but it got stuck in a tree. He also tried to use a small keyboard, a gift from his 5th birthday, opening it up and experimenting with the electric circuit to produce sounds.

Sohair Sharara focused on editing the recordings and videos of our conversations from the three-day workshop.

Salina Abaza spent her time sketching feathers and filming. Later, she attached one of the feathers to her last personal object—something she had kept from Syria, where she grew up. The two objects became stuck in the fan in the room.





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